https://brendavega.com BRENDAVEGA Thu, 10 Apr 2025 00:05:32 +0000 https://brendavega.com en https://brendavega.com/Desktop Tue, 18 Oct 2022 02:17:22 +0000 BRENDAVEGA https://brendavega.com/Desktop <img width="4096" height="4096" width_o="4096" height_o="4096" data-src="https://freight.cargo.site/t/original/i/485a0cb382cdb8c297a36de8cf771826e9d9242e18c6e0021f541ebc0a30004b/2697658_apple_mail_email_envelope_inbox_icon.png" data-mid="161293823" border="0" alt="Email me" data-caption="Email me" src="https://freight.cargo.site/w/1000/i/485a0cb382cdb8c297a36de8cf771826e9d9242e18c6e0021f541ebc0a30004b/2697658_apple_mail_email_envelope_inbox_icon.png" /> <img width="331" height="328" width_o="331" height_o="328" data-src="https://freight.cargo.site/t/original/i/14cc78d8183a8dbd63481a35246ab3005130cee3893e89c8dd9972d8a4f65e17/pngwing.com-7.png" data-mid="161292362" border="0" alt="Press" data-caption="Press" 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data-src="https://freight.cargo.site/t/original/i/46eada9c9f41bbd75745a5c8d8322ca4beca60a5c5de4d558ec0a3c0421f6073/icono.07.png" data-mid="159504450" border="0" alt="Selfie after workout" data-caption="Selfie after workout" src="https://freight.cargo.site/w/1000/i/46eada9c9f41bbd75745a5c8d8322ca4beca60a5c5de4d558ec0a3c0421f6073/icono.07.png" /> <img width="5792" height="7456" width_o="5792" height_o="7456" data-src="https://freight.cargo.site/t/original/i/aa44b57a52b04854672133c99d7788585ad530d7c269534d26f014a64a204839/img20240930_18342594.jpg" data-mid="219340992" border="0" src="https://freight.cargo.site/w/1000/i/aa44b57a52b04854672133c99d7788585ad530d7c269534d26f014a64a204839/img20240930_18342594.jpg" /> <img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/71f65813b6dc314de7759a58c46e18cc473fe951b0e3ef06d6f8b3bf429fa963/iconos.14.png" data-mid="159535805" border="0" alt="Dimensional Bodies: Drawing Air and Painting on Paper" 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src="https://freight.cargo.site/w/400/i/060faa19a89506ee54ddbf86146685e40075e72211784f4d8cca9761c8ef2f58/ICONO.04.png" /> <img width="800" height="800" width_o="800" height_o="800" data-src="https://freight.cargo.site/t/original/i/5977cfeb322a47cb3f6167accb46f7d91624cb41258e4802b8706520c30d3bae/mac.png" data-mid="156150888" border="0" src="https://freight.cargo.site/w/800/i/5977cfeb322a47cb3f6167accb46f7d91624cb41258e4802b8706520c30d3bae/mac.png" /> <img width="455" height="643" width_o="455" height_o="643" data-src="https://freight.cargo.site/t/original/i/e1c8639116f71339863b3a2d0cc2f403075eb94460c1fcb70c351f7bcb16e5fd/BV.2.png" data-mid="219306114" border="0" alt="The Disappearing Self, Second Act " data-caption="The Disappearing Self, Second Act " src="https://freight.cargo.site/w/455/i/e1c8639116f71339863b3a2d0cc2f403075eb94460c1fcb70c351f7bcb16e5fd/BV.2.png" /> <img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/97cb74ef08f86673bff6f48f2e6be16392da50244a3eed501ccf22380ee4688c/icono.09.png" data-mid="159507033" border="0" src="https://freight.cargo.site/w/400/i/97cb74ef08f86673bff6f48f2e6be16392da50244a3eed501ccf22380ee4688c/icono.09.png" /> <img width="324" height="490" width_o="324" height_o="490" data-src="https://freight.cargo.site/t/original/i/8bb4dfe34cd80bde4296cfc27a694c698fabe0b8a8a46c10aedfef07b5f0e77a/BV.3.png" data-mid="219330989" border="0" alt="The Disappearing Self, First Act" data-caption="The Disappearing Self, First Act" src="https://freight.cargo.site/w/324/i/8bb4dfe34cd80bde4296cfc27a694c698fabe0b8a8a46c10aedfef07b5f0e77a/BV.3.png" /> <img width="1024" height="1024" width_o="1024" height_o="1024" data-src="https://freight.cargo.site/t/original/i/70c62e57dc64fd3492f20d728e2b93c075ee223ce14445af8396b5109271ca44/globe.png" data-mid="156150899" border="0" src="https://freight.cargo.site/w/1000/i/70c62e57dc64fd3492f20d728e2b93c075ee223ce14445af8396b5109271ca44/globe.png" /> <img width="383" height="499" width_o="383" height_o="499" data-src="https://freight.cargo.site/t/original/i/607b516b4fbe5a492bd9af5216b7d5904f5e69d19ab76f9207fdf7bb84b85f75/icono.05.png" data-mid="159503235" border="0" src="https://freight.cargo.site/w/383/i/607b516b4fbe5a492bd9af5216b7d5904f5e69d19ab76f9207fdf7bb84b85f75/icono.05.png" /> <img width="5735" height="4628" width_o="5735" height_o="4628" data-src="https://freight.cargo.site/t/original/i/54b3122b85119ec82718d43fe61f30dae2fac80566181cda75d15f1b65a4524b/6-performance-Image-1-low.jpg" data-mid="229571800" border="0" alt="Dimensional Bodies, Automated Version." data-caption="Dimensional Bodies, Automated Version." src="https://freight.cargo.site/w/1000/i/54b3122b85119ec82718d43fe61f30dae2fac80566181cda75d15f1b65a4524b/6-performance-Image-1-low.jpg" /> <img width="800" height="800" width_o="800" height_o="800" data-src="https://freight.cargo.site/t/original/i/f386a18a95f0853abc977b7d7cc09ec0a2ef956a80b7b29229cfaeb5d39c2dc5/cd.png" data-mid="156150887" border="0" src="https://freight.cargo.site/w/800/i/f386a18a95f0853abc977b7d7cc09ec0a2ef956a80b7b29229cfaeb5d39c2dc5/cd.png" /> <img width="1024" height="1024" width_o="1024" height_o="1024" data-src="https://freight.cargo.site/t/original/i/9f1d4e2f7ab29647f9ed02e4ba06b6333065a6ed4f6da7680a48e32200fdf7ff/tools.png" data-mid="156150897" border="0" src="https://freight.cargo.site/w/1000/i/9f1d4e2f7ab29647f9ed02e4ba06b6333065a6ed4f6da7680a48e32200fdf7ff/tools.png" /> <img width="944" height="610" width_o="944" height_o="610" data-src="https://freight.cargo.site/t/original/i/68649726cdd17f9344ebd26ac390989b156a11860bf8da15d25104d74a5b2429/Screenshot-2025-11-11-at-7.29.14PM.png" data-mid="240531620" border="0" src="https://freight.cargo.site/w/944/i/68649726cdd17f9344ebd26ac390989b156a11860bf8da15d25104d74a5b2429/Screenshot-2025-11-11-at-7.29.14PM.png" /> https://brendavega.com/Academical-Writings Wed, 07 Dec 2022 17:54:24 +0000 BRENDAVEGA https://brendavega.com/Academical-Writings . . ACADEMICAL WRITINGS ︎ 1. 2024.&nbsp;post(s) es una publicación anual del Colegio de Comunicación y Artes Contemporáneas de la Universidad San Francisco de Quito. “Why the Selfie Matters? A first-person story” Brenda Vega DOI: https://doi.org/10.18272/post(s).v10i1.3348 2. 2018. Spanish scientific article: Index Revista de Arte ContemporáneoLos métodos alternativos de fotografía como un aporte a la obra de artistas emergenteshttp://revistaindex.net/index.php/cav/article/view/235/235&nbsp; 3. 2017. Spanish scientific article: Revista Communication Papers.IMÁGENES Y CONTRA-IMÁGENES. USOS DE LA FOTOGRAFÍA EN LAS PRÁCTICAS ARTÍSTICAS CONTEMPORÁNEAS.EL PERFORMANCE FOTOGRÁFICO DIGITAL Y SU CONDICIÓN REPETITIVA Brenda Gabriela Vega Mora 4. 2016. Critical Context Paper for submission Ma Photography at London College of Communication“The disappearing present: technology´s anticipation of the performative self” https://www.academia.edu/33425832/The_Disappearing_Present_Technology_s_Anticipation_of_the_Performative_Self the-disappearing-present-technologys-anticipation-of-the-performative-self-by-brenda-vega-mora **Please respect the copywriting of this document and just use it for reference and research. https://brendavega.com/Performances Mon, 12 Dec 2022 23:42:54 +0000 BRENDAVEGA https://brendavega.com/Performances . . PERFORMANCES ︎ &nbsp; &nbsp; https://brendavega.com/PRESS Wed, 07 Dec 2022 16:53:23 +0000 BRENDAVEGA https://brendavega.com/PRESS . . PRESS ︎ November 2021 WorldViews, Speaker at the Symposium. The Poetics of Abya Yala Towards a Non-Colonial History of Contemporary Art. Interview in LenScratch. "Focus on Ecuadorian photographers: Brenda Vega" November 30, 2021 October 2021 BUAM Bienal Universitaria de Arte Multimedial. Centro de Arte Contemporáneo&nbsp; September 2021BUAM Bienal Universitaria de Arte Multimedial. Centro de Arte Contemporáneo October 2020Expreso. Un encuentro con la mirada de doce artistas. September 2020 <img src="https://brendavegaphoto.files.wordpress.com/2020/10/118626845_1271945196485784_6953065259971439325_o.jpg" width="3365" height="1245" style="width: 572.337px; height: 211.756px;"> June 2020 <img src="https://brendavegaphoto.files.wordpress.com/2020/10/invitada-cav.jpg" width="960" height="960" style="width: 572.337px; height: 572.337px;"> April 2020 <img width="3601" height="3601" src="https://brendavegaphoto.files.wordpress.com/2020/10/aula-abierta-brenda-vega-clio-bravo-mar-2020_mesa-de-trabajo-1.jpg"> February 2020 <img src="https://brendavegaphoto.files.wordpress.com/2020/10/carton-piedra-clio-texto-brenda.png" width="1064" height="700" style="width: 572.337px; height: 376.537px;"> November 2019 <img src="https://brendavegaphoto.files.wordpress.com/2020/10/zocoinvitadigital.png" width="1788" height="2502" style="width: 497.933px; height: 696.772px;" data-scale="87"> <img src="https://brendavegaphoto.files.wordpress.com/2020/10/galericc81a-q.png" width="1802" height="945" style="width: 480.763px; height: 252.12px;" data-scale="84"> <img src="https://brendavegaphoto.files.wordpress.com/2020/10/cierre-no-lugar.jpg" width="960" height="503" style="width: 480.763px; height: 251.9px;" data-scale="84"> <img src="https://brendavegaphoto.files.wordpress.com/2020/10/75323211_1231460800388114_150506567563739136_o-1.jpg" width="960" height="640" style="width: 475.039px; height: 316.693px;" data-scale="83"> October 2019 <img src="https://brendavegaphoto.files.wordpress.com/2020/10/afiche-a3.jpg" width="3508" height="4961" style="width: 475.039px; height: 671.799px;" data-scale="83"> September 2019El telegrafo newspaper <img src="https://brendavegaphoto.files.wordpress.com/2019/08/69696938_962563234090650_474775095173185536_n.jpg" width="960" height="501" style="width: 572.337px; height: 298.688px;"> July 2019 <img src="https://brendavegaphoto.files.wordpress.com/2019/07/afiche-otros-paisajes-muestra-cuenca.jpg" width="5000" height="3184" style="width: 572.337px; height: 364.464px;"> <img src="https://brendavegaphoto.files.wordpress.com/2019/07/dispositivos-performacc81ticos-la-serie-afiche.jpg" width="960" height="656" style="width: 572.337px; height: 391.097px;"> February 2019 <img src="https://brendavegaphoto.files.wordpress.com/2019/02/50922828_2293891540842952_8038432444409446400_n.jpg" width="960" height="685" style="width: 572.337px; height: 408.386px;"> January 2019 <img src="https://brendavegaphoto.files.wordpress.com/2019/01/lumen-show-jan.jpg" width="664" height="960" style="width: 503.656px; height: 728.178px;" data-scale="88"> December 2018 <img src="https://brendavegaphoto.files.wordpress.com/2019/01/curso-cianotipo-museo-del-alabado-1.jpg" width="596" height="842" style="width: 463.593px; height: 654.941px;" data-scale="81"> November 2018 A place for friends Press Release October 2018 <img src="https://brendavegaphoto.files.wordpress.com/2019/01/simposio-puce.jpg" width="652" height="960" style="width: 515.103px; height: 758.434px;" data-scale="90"> <img src="https://brendavegaphoto.files.wordpress.com/2019/01/por-qué-no-expo-octubre.jpg" width="960" height="633" style="width: 515.103px; height: 339.646px;" data-scale="90"> <img src="https://brendavegaphoto.files.wordpress.com/2019/01/expo-profes-usfq.jpg" width="2481" height="3508" style="width: 515.103px; height: 728.328px;" data-scale="90"> <img src="https://brendavegaphoto.files.wordpress.com/2019/01/libroso-expo-usfq-2-oct.jpg" width="940" height="788" style="width: 515.103px; height: 431.81px;" data-scale="90"> August 2018 <img src="https://brendavegaphoto.files.wordpress.com/2019/01/fb_img_1534281167332.jpg" width="1080" height="705" style="width: 520.826px; height: 339.984px;" data-scale="91"> <img src="https://brendavegaphoto.files.wordpress.com/2018/07/37366113_252840331973939_7970341720820809728_n.jpg" width="767" height="960" style="width: 532.273px; height: 666.209px;" data-scale="93"> July 2018 <img src="https://brendavegaphoto.files.wordpress.com/2019/01/violenta-muestra-1er-año.jpg" width="960" height="501" style="width: 520.826px; height: 271.806px;" data-scale="91"> <img src="https://brendavegaphoto.files.wordpress.com/2019/01/finalista-beca-confluencias.jpg" width="960" height="960" style="width: 520.826px; height: 520.826px;" data-scale="91"> June 2018 <img src="https://brendavegaphoto.files.wordpress.com/2019/01/screen-shot-2018-07-18-at-12.25.45.png" width="918" height="661" style="width: 532.273px; height: 383.26px;" data-scale="93"> May 2018 Ñan Magazine, a bilingual touristic magazine made a special on the production of independent Art in Quito-Ecuador. Casa Nodo featured in the special (was an artistic residency where I was one of the artists). Link to follow:&nbsp;Caminata con La Suerte <img src="https://brendavegaphoto.files.wordpress.com/2018/05/screen-shot-2018-05-19-at-10-49-45.png" width="1280" height="800" style="width: 572.337px; height: 357.71px;"> April 2018 + Arte Galería participates in the PArC Art Fair in Lima, La Hora NewspaperLa Hora – Abril 17, 2018 https://lahora.com.ec/noticia/1102150411/mas-arte-galeria-participa-en-la-feria-parc-de-lima <img src="https://brendavegaphoto.files.wordpress.com/2018/05/30716357_2102820633283378_3928294736665772032_n.jpg" width="960" height="718" style="width: 555.167px; height: 415.218px;" data-scale="97"> January 2018 Spanish. Group Show "Carne Fresca" in Guayaquil-Ecuador, El Universo Newspaper“La Carte fresca”, arte qye se impulsa desde el sur de Guayaquil. Diario El Universo <img src="https://brendavegaphoto.files.wordpress.com/2018/02/screen-shot-2018-02-24-at-20-17-56.png" width="407" height="299" style="width: 407px; height: 299px;"> “Espacio Violenta” presenta “La escuela del Terror”&nbsp; Diario La República. <img src="https://brendavegaphoto.files.wordpress.com/2018/02/brenda-vega.jpg" width="757" height="600" style="width: 572.337px; height: 453.635px;"> December 2017 Spanish. Espacios Particulares, exhibición del programa NODO de No Lugar en Más Arte. Quito-Ecuador <img src="https://brendavegaphoto.files.wordpress.com/2017/12/24058906_2033539696878139_2436489255123248221_n.png" width="960" height="355" style="width: 572.337px; height: 211.645px;"> Nueve artistas se reúnen en Espacios Particulares <img src="https://brendavegaphoto.files.wordpress.com/2018/02/19-12-17-arteycult-nueveartistas5.jpg" width="880" height="415" style="width: 572.337px; height: 269.909px;"> http://www.elcomercio.com/tendencias/artistas-jovenes-galeria-exposicion-quito.html <img src="https://brendavegaphoto.files.wordpress.com/2017/12/screen-shot-2017-12-13-at-08-47-03.png" width="668" height="554" style="width: 572.337px; height: 474.662px;"> Facebook No Lugar <img src="https://brendavegaphoto.files.wordpress.com/2017/12/screen-shot-2017-12-13-at-09-11-32.png" width="496" height="581" style="width: 496px; height: 581px;">‘ Artist Talk, Universidad San Francisco de Quito, COCOA. I´ve been invited to the Arts Faculty of USFQ in Quito, to show my work and have an open discussion with art students from this School. Friday 1st December. November 2017 "Almas de Montaña". Chicago Duo Show with Sergio Sarango.&nbsp;UNAM- CHICAGO350 W Erie St. Chicago, Il. Invitation Consulate of Ecuador in Chicago RADIO INTERVIEW "Spanish Public Radio", based in Chicago. <img src="https://brendavegaphoto.files.wordpress.com/2016/03/invitacic3b3n-muestra2.jpg" width="3722" height="2481" style="width: 572.337px; height: 381.506px;"> <img src="https://brendavegaphoto.files.wordpress.com/2016/03/screen-shot-2017-11-01-at-14-38-12.png" width="502" height="518" style="width: 502px; height: 518px;"> October 2017 Spanish. Mediación: Diálogos con el incosciente, en relación a la muestra "Absorber la ficción". Digital Catalogue:https://issuu.com/artecontemporaneoq/docs/absorber_la_ficcion_guia_cac_book Artist guide in relation to my group exhibition "Absorber la Ficción" in Contemporary Art Center (CAC)-Quito. Saturday 7th October, 15h00. <img src="https://brendavegaphoto.files.wordpress.com/2016/03/22195506_1096116530525593_5610494492885176427_n.jpg" width="346" height="738" style="width: 346px; height: 738px;"> CAC´s Facebook <img src="https://brendavegaphoto.files.wordpress.com/2017/11/screen-shot-2017-11-14-at-09-46-36.png" width="500" height="444" style="width: 500px; height: 444px;"> Article in Spanish: written by Edu Carrera, Curator in Chief of Centro de Arte Contemporáneo de Quito Apuntes sobre el ciclo de exhibiciones colectivas en el Centro de Arte Contemporáneo de Quito. <img src="https://brendavegaphoto.files.wordpress.com/2016/03/screen-shot-2017-09-23-at-18-38-42.png" width="651" height="427" style="width: 572.337px; height: 375.404px;"> September 2017 Life Hack Curatorial' exhibition.&nbsp;Harrow- London 1st September The exhibition took place on the on the 1st of September as part of a larger group show [South Harrow Contemporary II] &nbsp;which took place in a family home. This is the list of artists and works exhibited: Joshua Byron - i am a sad but hopeful creature Peter Barnard – Amplification Bette-Belle Blanchard – BDSM &nbsp;/ AVI Campbell McConnell – Command F Brenda Vega - Performative self-technology Bill Aitchison – China Quick-Fix Curated by Elliot Hewgill <img width="1568" height="1045" width_o="1568" height_o="1045" data-src="https://freight.cargo.site/t/original/i/c98ef7d95b1033909385a973f4a53b47a39912e8e06d69f7dee234166c8455fe/brenda-print-wide.jpg" data-mid="161290076" border="0" data-scale="66" src="https://freight.cargo.site/w/1000/i/c98ef7d95b1033909385a973f4a53b47a39912e8e06d69f7dee234166c8455fe/brenda-print-wide.jpg" /><img width="696" height="1044" width_o="696" height_o="1044" data-src="https://freight.cargo.site/t/original/i/5e7a53ac4dba8fca0725ed892313b83a73f2ab2decc4f7c180fece0aa5eb5c5b/press-release-on-desk-1.jpg" data-mid="161290098" border="0" data-scale="32" src="https://freight.cargo.site/w/696/i/5e7a53ac4dba8fca0725ed892313b83a73f2ab2decc4f7c180fece0aa5eb5c5b/press-release-on-desk-1.jpg" /> August 2017 SMACK MY GLITCH UP -GROUP SHOW. DKUK London - Peckham An exhibition exploring glitch art in all its forms 25th August - 1st October Smack My Glitch Up - Exhibition at dkuk in London Art Rabbit press <img src="https://brendavegaphoto.files.wordpress.com/2016/03/img_6359.jpg" width="321" height="530" style="width: 321px; height: 530px;"><img src="https://brendavegaphoto.files.wordpress.com/2016/03/img_6360.jpg" width="316" height="485" style="width: 316px; height: 485px;"><img src="https://brendavegaphoto.files.wordpress.com/2016/03/img_6434.jpg" width="558" height="397" style="width: 558px; height: 397px;"><img src="https://brendavegaphoto.files.wordpress.com/2016/03/img_20170823_081344_378.jpg" width="549" height="613" style="width: 549px; height: 613px;"><img src="https://brendavegaphoto.files.wordpress.com/2016/03/img_20170906_105849_881.jpg" width="516" height="814" style="width: 516px; height: 814px;"><img src="https://brendavegaphoto.files.wordpress.com/2016/03/photo-06-09-2017-11-28-18.jpg" width="520" height="849" style="width: 520px; height: 849px;"> July 2017 Spanish. Absorber la Ficción (Group Show) Contemporary Art Center of QuitoJuly 19 El Comercio Newspaper El Telégrafo Newpaper Facebook Post <img src="https://brendavegaphoto.files.wordpress.com/2016/03/screen-shot-2017-07-14-at-12-02-43.png" width="471" height="479" style="width: 471px; height: 479px;"><img src="https://brendavegaphoto.files.wordpress.com/2016/03/unnamed.png" width="709" height="842" style="width: 572.337px; height: 679.7px;"><img src="https://brendavegaphoto.files.wordpress.com/2016/03/screen-shot-2017-07-17-at-11-43-14.png" width="553" height="286" style="width: 553px; height: 286px;"> Workshop at Arte Actual FLACSOhttp://www.flacsoandes.edu.ec/arteactual/?p=19334 <img src="https://brendavegaphoto.files.wordpress.com/2016/03/screen-shot-2017-06-23-at-10-20-46.png" width="956" height="604" style="width: 572.337px; height: 361.602px;"> Spanish. La Casa del Arte en Quito. Lifestyle Kikihttp://lifestylekiki.com/2017/05/09/casa-de-arte-en-quito-ecuador/ <img src="https://brendavegaphoto.files.wordpress.com/2016/03/arte-ecuador-casa-nodo-lifestyle-kiki-11.jpg" width="426" height="855" style="width: 426px; height: 855px;"> Spanish. Entrevista de Radio- Programa Quito Multicolor, Marcelo Dotti.Audio file May 2017 <img src="https://brendavegaphoto.files.wordpress.com/2016/03/writingphotographs_lcc_show.jpg" width="511" height="841" style="width: 511px; height: 841px;"> Writing &nbsp; P h o t o g r a p h s London College of Communication Project Space Elephant &amp; Castle Shopping Centre, SE1 6TE An exhibition by students, alumni and staff from LCC’s BA &amp; MA Photography programmes on the relationship of photography and writing – and how photographs are expanded, altered and dissected through text in the gallery context. Beverley Carruthers . Victoria Louise Doyle . Ana Escobar . Sabrina Fuller . Alberto Gualtieri . Victoria Jouvert . Jessie McLaughlin . Wiebke Leister . Nassim Rad . Herman Rahman . Ernst Schlogelhofer . Tomoko Suwa-Krull . Jacqui Taylor . Brenda Vega . Agnès Villette . James Wilde . Private View Wed 3 May 4.30-7.00 with spotlight readings Open: Thu 4 – Sun 14, Mon-Fri 4.00-7.30, Sat/Sun 2.00-6.00 (not Sat 6 May; Wed 10 May until 5.00) Events: Fri 12 May 6.00 Responses with Q&amp;A Sat 13 May 4.00 Tour with Cakes Sat 6 May 2.00 Panel Debate at Tate Modern Links: http://writing-photographs.tumblr.com https://twitter.com/Writing_Photos_ http://www.tate.org.uk/whats-on/tate-modern/talk/wolfgang-tillmans-2017/writing-photographs April 2017 INTERFACED NATURE EXHIBITED IN CHINA Hangzhou -China 28 April - 15 May Plus a performance and symposium talk. <img src="https://brendavegaphoto.files.wordpress.com/2017/04/img-20170421-wa0006.jpg" width="950" height="640" style="width: 572.337px; height: 385.574px;"> MARCH 2017 NODO. Artist Program in Quito-Ecuador. Artist Residency/ Scholarship.February - December 2017.https://nolugar.org/2017/03/03/portafolios-recorrido-artistas-nodo/ <img src="https://brendavegaphoto.files.wordpress.com/2016/03/promo-seleccionados-nodo1.jpg" width="842" height="709" style="width: 572.337px; height: 481.932px;"> No Lugar – Arte Contemporáneo tiene el agrado de invitar a la presentación de portafolios y recorrido de la&nbsp;Casa Nodo&nbsp;con los artistas participantes en el programa, los esperamos este viernes 10 de marzo desde las 18h00 en la casa Nodo, ubicada en la calle Juan Larrea N15-53 y Buenos Aires, barrio América. Nodo es el programa para artistas de No Lugar, que brinda una casa para artistas interesados en participar en una experiencia intensa de producción, discusión y formación. Los nueve artistas participantes, fueron elegidos por un comité de selección conformado por&nbsp;Belén Santillán&nbsp;(investigadora),&nbsp;Ana María Garzón&nbsp;(curadora)&nbsp;y el equipo de No Lugar. Los artistas de Nodo se tomarán las casa por un periodo de nueve meses, haciendo de este lugar un taller de producción y de exhibición de sus procesos artísticos. Los tutores invitados -artistas, curadores y teóricos de destacada trayectoria, tanto internacionales como locales- realizarán visitas al estudio de cada participante. Este programa, centrado en la práctica de ‘taller de artista’, estará complementado por conferencias, laboratorios, visitas de exposiciones y un seminario de lectura estructurado en torno a textos claves del arte contemporáneo. En el mes de agosto realizaremos el simposio curatorial ‘Estrategias en uso’ con curadores internacionales invitados y en diciembre el programa se cierra con una exposición en&nbsp;Más Arte Galería Taller. <img src="https://brendavegaphoto.files.wordpress.com/2016/03/screen-shot-2017-06-04-at-10-55-23.png" width="959" height="416" style="width: 572.337px; height: 248.271px;"> December 2016 Out of sight. A symposium about photography and performance <img src="https://brendavegaphoto.files.wordpress.com/2016/03/map16_outofsight_symposium.jpg?w=724" width="524" height="842" style="width: 503.656px; height: 809.31px;" data-scale="88"> <img src="https://brendavegaphoto.files.wordpress.com/2016/03/screen-shot-2016-12-14-at-10-03-42.png" width="675" height="434" style="width: 509.38px; height: 327.512px;" data-scale="89"> November 2016 Degree Showhttp://blogs.arts.ac.uk/london-college-of-communication/2016/12/05/ma-photography-prizewinners-announced-lcc-postgraduate-shows-2016/ <img src="https://brendavegaphoto.files.wordpress.com/2016/03/press-troika2.jpg" width="559" height="583" style="width: 559px; height: 583px;"> July 2016 Performance: Empathy Flows The launch of zine publication I disrupt, untie, I solve - a publication that uses writing, the performative and our relationship with objects to interrogate our connection to both physical and virtual realms. Produced by students from BA (Hons) Culture, Criticism &amp; Curation, Central Saint Martins, University of the Arts London, it includes contributions by: Miriam Eleonora Barosco, Tatiana Ermolaeva and Olga Carpenco, Imogen Harland, Tom Jenks, Alysha Lee, Håkon Lillegraven, Jasmine Parker, Brenda Vega Mora, Jacob Watmore and Rosie Woodhouse. Link:&nbsp;I disrupt, untie, I solve <img src="https://brendavegaphoto.files.wordpress.com/2016/03/screen-shot-2016-10-16-at-15-06-31.png" width="853" height="291" style="width: 572.337px; height: 195.252px;"> More press:http://www.artpr.com/art-news/performance-empathy-flows-thursday-7-july June 2016 Writing Photographs workshop in Photo Monitorhttp://www.photomonitor.co.uk/2016/05/kreidleroleary-word-image-situated-practice/ March 2016 <img src="https://brendavegaphoto.files.wordpress.com/2016/03/26caledonianroad_invite.jpeg" width="1414" height="1098" style="width: 572.337px; height: 444.431px;"> 26 Caledonian RoadA project by LCC MA Photography alumni, staff and students 2 - 5 March 2016 Geddes Gallery, K.C. Continental Stores 26 Caledonian Road, London N1 9DU Peter Ainsworth, Giulia Astesani, Diane Bielik, Anne Clements, Nicky Coutts, Ed Dimsdale, Ana Escobar, Silvia Gentili, Wiebke Leister, Jessie McLaughlin, Linda Motta, Stephanie Murray, Richard Nicholson, Elisa Noguera Lopez, Liz Orton, Minna Pöllänen, Jessica Potter, Sophy Rickett, Alessandra Rinaudo, Michael Rodgers, Roshana Rubin- Mayhew, Ernst Schlogelhofer, Marcello Simeone, Emma Jane Spain, Paul Tebbs, Brenda Vega, Tessa Williams. Curated by Magali Avezou, Marcello Simeone and Sayako Sugawara. 26 Caledonian Road is an exhibition of site-specific works to be held in a former deli, K.C. Continental Stores, temporarily renamed Geddes Gallery, in the heart of King’s Cross. This inspiring though the unconventional site for an exhibition, now awaiting a new life after its closure, stands out today with its old-fashioned interior, wallpapers, and the unique combination of public and private areas. The architectural nature of the space and its history invite reflection on heritage, memory, and how sculptural bodies (artworks) respond to, and dwell in, domestic spaces. By inviting the creation of new works for a specific location, the project also aims at exploring their modes of production, encouraging reflection on the artists’ creative process, the role of external projects in their work, and how these are articulated within their usual practice. The exhibition features mysterious and anonymous portraits of the former inhabitants and owners of the space; distorted and expanded films aimed at re-activating the site ‘about to disappear’; parmesan cheese wrapped in a photogravure on greaseproof paper, and even a ‘Jungian’ cleansing ritual on the opening day to mark the transition from ́home ́ to ́art space’. The exhibition is curated by the LCC MA Photography Alumni Group and includes works from current students, alumni &amp; staff. Funded by UAL Student Experience &amp; Engagement Fund. Events: Wednesday, Thursday and Friday, 4pm: curators’ exhibition tours Thursday, 6pm: performances by Ana Escobar and Jessica Potter Saturday: talks and performances facebook.com/geddesgallery/ June 2013 Pecha Kucha Night, Quito. Vol. 6Talk "How Photography took me everywhere"http://www.pechakucha.org/cities/quito/events/519191f6dbdd20dd15000001 <img src="https://brendavegaphoto.files.wordpress.com/2016/03/screen-shot-2016-10-30-at-21-30-08.png" width="483" height="488" style="width: 483px; height: 488px;"> Solo Show "Caribbean Colours" Press in Spanish July 2011, (post in Spanish) Colores del Caribe, Boletín de Prensa de BALLET FOLKLÓRICO ECUATORIANO DE VIRGINIA ROSERO Periodismo desde el Corazón Press release https://brendavega.com/POEMS-AND-MANIFESTOS Fri, 02 Dec 2022 01:17:34 +0000 BRENDAVEGA https://brendavega.com/POEMS-AND-MANIFESTOS . . POEMS AND MANIFESTOS ︎ This is not a pipe 2021 I POEM Writing Photograps Poems and ManifestosPoems and ManifestosPoems and ManifestosPoems and ManifestosPoems and ManifestosPoems and ManifestosPoems and ManifestosPoems and ManifestosPoems and ManifestosPoems and ManifestosPoems and ManifestosPoems and ManifestosPoems and ManifestosPoems and ManifestosPoems and ManifestosPoems and Manifestos Poems and Manifestos Poems and Manifestos Poems and Manifestos Poems and Manifestos Poems and Manifestos https://brendavega.com/This-is-not-a-pipe-Manifesto Fri, 02 Dec 2022 01:27:26 +0000 BRENDAVEGA https://brendavega.com/This-is-not-a-pipe-Manifesto . ︎ I You are inside the technological dream, I am an upgraded version I am the digital self, Welcome to Paradise. My memory was formatted in March 2020, and my ancestors became extinct They gave me a parallel life. Doesn't it make you anxious to see us IRL, baby? Previously, the Mona Lisa and I became one within a selfie. Welcome to paradise. II The present disappears the performative self enters, The selfie is the self that inhabits myself, As one, Let us circulate freely in the algorithmic field that observes us, does not understand our intentions, and is constantly educated. Welcome to paradise. *This manifesto was recited in a holographic form. It was part of the artwork "This is not a pipe," 2021, exhibited in "Present alternatives," the first university biennial of multimedia art BUAM21. This is not a pipe, 2021 https://brendavega.com/I-POEM Fri, 02 Dec 2022 01:36:21 +0000 BRENDAVEGA https://brendavega.com/I-POEM . ︎ I am I create Am I ? I was I want to be I take a picture I perform I develop The self disappears: I post &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; I read&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; I oscillate &nbsp; &nbsp; &nbsp; &nbsp; I am a butterfly I need a screen I need a screen Suddenly, I glitch I like I comment I comment I comment I comment I like I am exhausted I have denied you the pleasure&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; I look at the screen Enough &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; I trapped. *This poem was part of a performance made in the Interim Show of the Masters in Photography at LCC, University of the Arts London, 2016. I POEM https://brendavega.com/WRITING-PHOTOGRAPHS Fri, 02 Dec 2022 01:41:07 +0000 BRENDAVEGA https://brendavega.com/WRITING-PHOTOGRAPHS . ︎ She stands still in the middle of a box room. She stands and then moves, she is looking through the familiar shape [...] to find out where she was. Not an obvious place. And then, screams (high pitch noisy screams). It is a trap, obviously. Shut up, you idiot! Think! Or. Go back to sleep, soon the wind will lead you where you belong. She says (in a hideous American voice): “It is cold and humid and I don’t like it, please let me out”. But, where you want to go? BROWSE IT!!! You don’t want to know where you are, you are in fact, trying to leave it behind, sadly, you have forgotten. She swipes, she swipes, she touches but nothing happens no more. That is the past, no exit to the past. She finally sings herself a lullaby, not that she knows one. <img width="1604" height="1200" width_o="1604" height_o="1200" data-src="https://freight.cargo.site/t/original/i/14af7320d8bbdf4bb2c0ce06226c38285252f95495afa0686db5c4bf486a62de/Writing.Photographs.01.png" data-mid="160769354" border="0" src="https://freight.cargo.site/w/1000/i/14af7320d8bbdf4bb2c0ce06226c38285252f95495afa0686db5c4bf486a62de/Writing.Photographs.01.png" /> <img width="1604" height="1200" width_o="1604" height_o="1200" data-src="https://freight.cargo.site/t/original/i/e212921cc95f4c2b85a289562d07c6f6e7df22512990b3cc3e605e5d0c8fed88/Writing.Photographs.02.png" data-mid="160769355" border="0" src="https://freight.cargo.site/w/1000/i/e212921cc95f4c2b85a289562d07c6f6e7df22512990b3cc3e605e5d0c8fed88/Writing.Photographs.02.png" /> <img width="1604" height="1200" width_o="1604" height_o="1200" data-src="https://freight.cargo.site/t/original/i/1fee2f89eef2c814e1795c1d22da8afc69c93d8550d295df79335ca883c7fec9/Writing.Photographs.03.png" data-mid="160769356" border="0" src="https://freight.cargo.site/w/1000/i/1fee2f89eef2c814e1795c1d22da8afc69c93d8550d295df79335ca883c7fec9/Writing.Photographs.03.png" /> WRITING PHOTOGRAPHS https://brendavega.com/Dimensional-Bodies Mon, 07 Oct 2024 18:02:52 +0000 BRENDAVEGA https://brendavega.com/Dimensional-Bodies . . DIMENSIONAL BODIES: DRAWING ON AIR AND PAINTING ON PAPER&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; ︎ <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/4b783bce6368293a78b2630d03a15939ac4d91ec10ae0961116d7d16dafabff9/_DSC6835.JPG" data-mid="219335986" border="0" src="https://freight.cargo.site/w/1000/i/4b783bce6368293a78b2630d03a15939ac4d91ec10ae0961116d7d16dafabff9/_DSC6835.JPG" /> In this series, the artist focuses on the drawing process and the gesture of imitating what she observes. She traces imaginary landscapes, looks at a digital image, and draws from her memories, nature, and identity. These unique drawings are created on analog photographic paper and through a process called Chemigram. The artist performs this process while looking at the camera, her brush strokes connecting with the latent image. The developer then slowly reveals the drawing on the paper, a mesmerizing sight. This artwork emerged from the art residency I participated in at Denver Digerati in Denver in May 2024. Video performance, alternative photography Two video projections Variable dimensions 2024 <img width="5792" height="7456" width_o="5792" height_o="7456" data-src="https://freight.cargo.site/t/original/i/aa44b57a52b04854672133c99d7788585ad530d7c269534d26f014a64a204839/img20240930_18342594.jpg" data-mid="219336291" border="0" src="https://freight.cargo.site/w/1000/i/aa44b57a52b04854672133c99d7788585ad530d7c269534d26f014a64a204839/img20240930_18342594.jpg" /><img width="5700" height="9294" width_o="5700" height_o="9294" data-src="https://freight.cargo.site/t/original/i/e66bfb09f68a38bbdb73b903d1f76435d9bbcff6d88c781180b52bfaf5b630f9/img20240930_18494791.jpg" data-mid="219336300" border="0" src="https://freight.cargo.site/w/1000/i/e66bfb09f68a38bbdb73b903d1f76435d9bbcff6d88c781180b52bfaf5b630f9/img20240930_18494791.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/217fad43870ccfeacd2dcb303c97d1a966dfef8bde853f435d42a03cfab2dbc7/_DSC6838.JPG" data-mid="219335991" border="0" src="https://freight.cargo.site/w/1000/i/217fad43870ccfeacd2dcb303c97d1a966dfef8bde853f435d42a03cfab2dbc7/_DSC6838.JPG" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/4b0ddafcf50753e9d99e9829e7f501a085e58542fb8ec890daccb80b5b5eee4a/_DSC6836.JPG" data-mid="219335990" border="0" src="https://freight.cargo.site/w/1000/i/4b0ddafcf50753e9d99e9829e7f501a085e58542fb8ec890daccb80b5b5eee4a/_DSC6836.JPG" /> https://brendavega.com/Dimensional-Bodies-Automated-Version Thu, 10 Apr 2025 00:05:32 +0000 BRENDAVEGA https://brendavega.com/Dimensional-Bodies-Automated-Version . . DIMENSIONAL BODIES: DRAWING ON AIR AND PAINTING ON PAPER&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; ︎ <img width="3936" height="2624" width_o="3936" height_o="2624" data-src="https://freight.cargo.site/t/original/i/10697699b1bbedf712b779eb836b973e14681d672567a7c70963fe603b541bc0/4-performance-horizonal.JPG" data-mid="229571845" border="0" src="https://freight.cargo.site/w/1000/i/10697699b1bbedf712b779eb836b973e14681d672567a7c70963fe603b541bc0/4-performance-horizonal.JPG" /> This artwork emerges from a need to bridge the analog, the digital, and the organic—specifically, the artist's body. It explores the possibility of becoming a cyborg by directly communicating with the machine through bodily movement. By integrating interactive technology, the artist merges alternative photographic media with performance, creating a dynamic interplay between physical presence and computational processes. Exploring telepresence and interior selves, the work engages with the process of transmitting bodily movement into data and its subsequent rematerialization. Dimensional Bodies investigates the tensions between physical presence and virtual mediation, emphasizing the one-way nature of communication—where movement is captured, processed, and transformed without direct feedback. Technically, the project employs a handmade CNC plotter that functions as a photo-developing machine. Using blob tracking in TouchDesigner, real-time hand movements are converted into XY coordinates, which are then sent to an Arduino-controlled mechanism that dispenses the photographic developer into a brush with a dripping system that pours the developer onto light-sensitive paper. Two stepper motors move this machine. In the live performance, the artist's movements stem from memory—recollections of distant landscapes intertwined with the physical possibilities and impossibilities of the body. The body becomes a site of existential and political emergence, embodying what Latinx philosopher Mariana Ortega describes as the "being-between-worlds"—a multiplicitous selfhood shaped by the negotiation of social identities after migration to the U.S. This in-between self is fluid, continuously shaped by intersecting identities and lived experiences. The artist has a physical relationship with technology, existing as a hybrid between the machine and the organism, extending the body in different ways and playing with the definition of what a human is in the 21st century. Brenda Vega Dimensional Bodies, Drawing Air, Painting on Paper, Automated Version, 2024. Live Performance, Arduino, Touch Designer, CNC Plotter, Photographic Developer, Brush, Photographic Black and White Paper. Variable Dimensions 2024 <img width="5735" height="4729" width_o="5735" height_o="4729" data-src="https://freight.cargo.site/t/original/i/82e147df10169171a7fedddd68c3a9dbcb4fcd9d7c19ce311e2028e9ac344953/7-performance-Image-2-low.jpeg" data-mid="229571874" border="0" src="https://freight.cargo.site/w/1000/i/82e147df10169171a7fedddd68c3a9dbcb4fcd9d7c19ce311e2028e9ac344953/7-performance-Image-2-low.jpeg" /><img width="5735" height="4628" width_o="5735" height_o="4628" data-src="https://freight.cargo.site/t/original/i/ca1950f980c84915a7cc15344b2e1d876c5ad67eef8962a3d6b08bc532dbccbd/6-performance-Image-1-low.jpg" data-mid="229571877" border="0" src="https://freight.cargo.site/w/1000/i/ca1950f980c84915a7cc15344b2e1d876c5ad67eef8962a3d6b08bc532dbccbd/6-performance-Image-1-low.jpg" /><img width="5735" height="4729" width_o="5735" height_o="4729" data-src="https://freight.cargo.site/t/original/i/82e147df10169171a7fedddd68c3a9dbcb4fcd9d7c19ce311e2028e9ac344953/7-performance-Image-2-low.jpeg" data-mid="229571874" border="0" src="https://freight.cargo.site/w/1000/i/82e147df10169171a7fedddd68c3a9dbcb4fcd9d7c19ce311e2028e9ac344953/7-performance-Image-2-low.jpeg" /><img width="5735" height="4628" width_o="5735" height_o="4628" data-src="https://freight.cargo.site/t/original/i/ca1950f980c84915a7cc15344b2e1d876c5ad67eef8962a3d6b08bc532dbccbd/6-performance-Image-1-low.jpg" data-mid="229571877" border="0" src="https://freight.cargo.site/w/1000/i/ca1950f980c84915a7cc15344b2e1d876c5ad67eef8962a3d6b08bc532dbccbd/6-performance-Image-1-low.jpg" /> <img width="5735" height="4729" width_o="5735" height_o="4729" data-src="https://freight.cargo.site/t/original/i/82e147df10169171a7fedddd68c3a9dbcb4fcd9d7c19ce311e2028e9ac344953/7-performance-Image-2-low.jpeg" data-mid="229571874" border="0" src="https://freight.cargo.site/w/1000/i/82e147df10169171a7fedddd68c3a9dbcb4fcd9d7c19ce311e2028e9ac344953/7-performance-Image-2-low.jpeg" /> <img width="3936" height="2624" width_o="3936" height_o="2624" data-src="https://freight.cargo.site/t/original/i/a02d54d0c701ae074322875c49e8185d74945aafb61a74a7cecb330a378d1d26/1-performance.jpg" data-mid="229571846" border="0" src="https://freight.cargo.site/w/1000/i/a02d54d0c701ae074322875c49e8185d74945aafb61a74a7cecb330a378d1d26/1-performance.jpg" /><img width="4044" height="2698" width_o="4044" height_o="2698" data-src="https://freight.cargo.site/t/original/i/525210c7bfa7cf5e62ae936dcec3782e46b6a6e9326d34d1566105dce1f1b43f/10-performance-Image-5-ATC.jpg" data-mid="229571849" border="0" src="https://freight.cargo.site/w/1000/i/525210c7bfa7cf5e62ae936dcec3782e46b6a6e9326d34d1566105dce1f1b43f/10-performance-Image-5-ATC.jpg" /> <img width="5168" height="3448" width_o="5168" height_o="3448" data-src="https://freight.cargo.site/t/original/i/309dc9283b15f1d505c6b0c5f3761007f81dd9c4fae6e8a9bb92c921d61c9809/8-performance-Image-4-ATC.jpg" data-mid="229571850" border="0" src="https://freight.cargo.site/w/1000/i/309dc9283b15f1d505c6b0c5f3761007f81dd9c4fae6e8a9bb92c921d61c9809/8-performance-Image-4-ATC.jpg" /> <img width="6317" height="4213" width_o="6317" height_o="4213" data-src="https://freight.cargo.site/t/original/i/2b7b188ae3c7007f12f0f024e40926a76e22398d7ab54dc271d4db7db131f99d/9-performance-Image-3-ATC.jpg" data-mid="229571859" border="0" src="https://freight.cargo.site/w/1000/i/2b7b188ae3c7007f12f0f024e40926a76e22398d7ab54dc271d4db7db131f99d/9-performance-Image-3-ATC.jpg" />