Orientation to the object

35 color film, digital error on the scanner

This body of photographic work investigates the relationship between the object and the machine by analog-digital collapse, leaving aside the human being. The quest for the Object-oriented ontology inspired by Heidegger and coined by Harman radicalizes the work involved in an unreal context.
Using a photographic scanner to manipulate the negative intentionally, I have found ranges of colors that interrupt the image with objects that are allowed to capture and achieve a reality beyond the anthropocentric understanding. This new meaning does not include a proposal but an upcoming truth.

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